Filippo Riniolo was born in Milan in 1986. He lives and works in Rome.
He graduated in 2011 at the Academy of Fine Arts in Rome. His research ranges among poetic, political, social and historical topics, as well as current events. His areas of interest include the link between body and power, queer studies, gender studies, post-colonial studies. Among his research tools we find painting, photography, installation, performance, sound and video.
Solo exhibitions (selection): Dell’eroina e dell’incenso, Traffic Gallery, Bergamo, 2019; if you look at them well and listen to them, Spazio44, Rome, 2018; Loro, Casa Vuota, Rome, 2017; A joyful sense at work, Milan Furniture Fair, 2016; Invisible hand, MauMau Gallery, Istanbul, 2015; His presence, Sponge Artecontemporanea, Pergola (PU), 2014; LifeLong learning, CIAC, Castello Colonna, Genazzano (RM), 2012.
Group exhibitions (selection): Matera alberga - arte accogliente, Matera, 2019; Kizart, MAXXI, Rome, 2018, Memoria collettiva, CasaSpazio, collateral of Manifesta 12, Palermo, 2018; Gymnastics of vision, Bienal del Fin del Mundo, Mar del Plata (Argentina), 2014; BIO50} Hotel, 24th Biennial of Design, Ljubljana (Slovenia), 2014; festival Seminaria sogni in terra, Maranola (Formia, LT), 2014; INTELLèGO, Museo Bilotti, Rome, 2012; Open#4, SaleDock, Venice, 2012; Roma Centro Storico Award, Rome, 2012.